Travis, “The Blue Flashing Light”After the 10 soothingly bummed-out tracks of The Man Who comes the hidden track “The Blue Flashing Light,” a terse portrait of life in a turbulent household. The twist, though, is that Billie Joe Armstrong delivers his lines from the perspective of a battered husband held hostage by infatuation: “I’m all busted up / broken bones and nasty cuts,” he wails before confessing, “She comes to check on me / making sure I’m on my knees / After all, she’s the one who put me in this state.” In spite of the constant violence, he just can’t escape the lady (and apparently, the knuckles) he loves. 7. Domestic violence. Words exchanged make her cry. But the most disturbing moment comes on “She’s A Jar,” which describes a lover in phrases that could be read as compliments or insults: “My pop-quiz kid / a sleepy kisser / a pretty war.” But by the end, the situation has grown darker, and Tweedy’s last line—“you know she begs me not to hit her”—removes the last protective ambiguity. “He’ll find out when I pull the trigger.” Like the other songs on Lambert’s Crazy Ex-Girlfriend, “Gunpowder & Lead” presents her as a kick-ass chick with a hair-trigger temper—definitely not the type an abusive man should come home to when he makes bail. Certain songs can help (and have helped) survivors in their healing journey. Sung by Kim Gordon in her eeriest whisper/screech combo, the song tells the tale of a pregnant young woman who secretly plans to put on a little lipstick, borrow some cash and a car from her abusive boyfriend, get an abortion, and hit the open road. Domestic Violence In “Church Bells,” the rags-to-oil-tycoon’s-wife story of “Jenny,” the heroine “slipped something in his Tennessee whiskey / No … Few people look to Cheap Trick for commentary on pressing social issues, but it does take a band like this to inject a little warped mischief into a chorus as simple as “oh boy, the house is rockin’.”, 10-11. Jennifer Nettles. Then again, having recent domestic-violence victim Rihanna sing “I like the way it hurts” on the chorus of “Love The Way You Lie” is almost as creepy as taking a baby to her mother’s murder. It’s a shame that this song was so commercially successful when … The intervention of neighbours and the wider community is one of the keys to stopping the violence. One of the most harrowing chapters of the concept album’s story arc, the song’s ice-pick synths and wrathful guitar—not to mention Waters’ pinched, pained voice—add ghastly atmosphere to revenge-fantasy lines like “How could you go? Abusive lyrics: The way she shows me I’m hers and she is mine The findings were reached after the authors looked at lyrics from more than 400 top Billboard songs released between 2006 and 2016. It’s the same sort of endlessly circular bad relationship Costello sang so much about during that period, including on “Beaten” and “Knuckles.” Here, though, his depiction of a relationship’s dregs (“Nights spent drinking to remember… Came home drunk / Talking in circles / The spirit is willing, but I don’t believe in miracles”) is sorrowful as well as judgmental. “Last night I heard the screaming,” Chapman begins, launching into a tale of an apartment-dweller who awakens to the sounds of a husband beating his wife on the other side of the wall. 911- Wyclef and Mary J Blige. The reason I ask is because of the song Before He Cheats by Carrie Underwood, wherein the protagonist destroys her boyfriend's car on the suspicion that he might be cheating. Domestic Violenc… The singer is filled with banal lyrics and impotent rage (“Kicking your ass would be a pleasure,” he thinks at Daddy Dearest), but like so many abuse victims in rock songs, mom eventually takes the situation and a weapon into her own hands and beats the kid to the punch, so to speak. Or is she? (And it comes back around,), [G rock steady] It can be physical, emotional, verbal, financial or sexual or a combination of all of these… If you are in crisis and need to contact our 24/7 refuge then call: (01) 866 2015 Mon!” Jordan, for his part, jocularly ends the song with “Hey, child, I’m coming back and bash you on yo head one more time.” Presumably the jazzy, bouncy music, the exotic accents, and the overall air of good humor contributed to this song becoming wildly popular during an era when household violence wasn’t spoken of publicly. Domestic violence.